

TPPL Master class with John Bashford
April 16th, 2012A man of the moment.
John Bashford is an unassuming man. His pleasures are simple: the joy of being upgraded to a room in the Taj Palace (instead of the modern wing); Indian food at a middle-class vegetarian restaurant (minus the salad); wonder at the rising towers of Mumbai (aside the poverty a la Slumdog Millionaire). In his workshop, his approach is gentle – he doesn’t raise his voice and seems very happy to impart the knowledge gained from a long career of directing and teaching.
Let not his mildness hide his sharp eye and focussed mind though. The vice-principal of LAMDA knows what he is talking about. When he sees someone act simply, without demonstrating, he jumps centre stage, pointing out the beauty of internalising feelings. Talk about impulse; you’ve already learnt a lot about alertness simply by watching him. And even though he doesn’t use the word, he can’t emphasise the need for simplicity enough.
In fact, simplicity was key to his work at the Masterclass, Theatre Professional’s conducted at P.L. Deshpande Hall in Prabhadevi, Mumbai. He started the session with the participants walking to their breathing, playing catch, and telling a story to a partner, and concluded the day by connecting that breath and impulse work to Stanislavsky’s system. Whether it’s Stanislavsky’s score of physical actions (how we move through the scene, a set of physical actions that are repeatable), or active analysis (identifying scene, unit and bit objectives), his simple take was that Stanislavsky’s work can only come alive if we channelize that body and mind work through our breath and impulses.
Three things stayed in my mind as an observer and a participant that day:
1. Breath and impulse are key to moving.
2. “You only move when you have sufficient motivation to move. The desire for variety is not sufficient motivation.”
3. “Here, today, now.”
One participant commented it would be nice if John could extend the workshop to at least two days. That will of course depend upon his tight schedule when he visits India next. Yet every moment in that one day session was made to count. He was there, that day, present for all who were willing to learn from him, open to all kinds of questions, though he left some for us to ponder about. I went back home wiser.
- Padma Damodaran
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IDP 2011
April 25th, 2011Posted in Professional Training and Development | Comments Off
Great News!
February 4th, 2011We told you to watch this space, and we’re happy to announce that our February workshop is now going to be conducted by Ashwath Bhatt (London Academy of Music & Dramatic Arts, National School of Drama). Ashwath will be doing a workshop on Using Alexander Technique Towards Performance. The Alexander technique is an important addition to man’s resources of self awareness and personal education. It is an education/guidance system to “improve posture and movement, and to use muscles efficiently.” It is of vital importance to any actor/ performer.
The primary aim of the workshop is to improve the spatial awareness and define relaxation as ‘relax-action’. Also, to create the unity between physical and vocal work of an actor through devised exercises.
The workshop is on from 19th – 24th Feb, 8am – 2pm at P L Deshpande, Prabhadevi. For more details, click here.
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Weekly Updates from TPPL: Week of Jan 23-29th
February 2nd, 2011Its been a hectic week – Macarena taught her advanced workshop on movment and floorwork for actors at PL in the mornings, while Rajneesh Bisht got actors to open up, connect their voice, body and imagination confidently and to deliver some very good monologue work every evening.
we’ve just started working on the annual day production at Aditya Birla World Academy, our push for getting more schools interested in Drama continues, Jehan is directing to Kill a Mocking Bird at Shishuvan.
Unfortunately Marie’s workshop has had to be postponed as Marie has been called back to france on a personal emergency. We’re leaving it up on the site as it is only officially postponed – she will be back, and she will be doing this key workshop in voice, body and text when she returns. Watch this space.
In the meanwhile, we are looking to find a suitable alternative for the February Advanced Workshop, we’re hoping Carla may rejoin us to do Clown – especially after last Novembers hit workshop of hers.
A few enquiries about the Intensive Drama Program have started to trickle in. The dates for that are looking like Mid May through to the end of the first week of June at the NCPA. Its shaping up, and this years performance oriented work will be much stronger.
We’re also happy to welcome Naireet Basak onto our team – he’s going to take over as Administrator and overall go-to person for everything starting today.
More next week.
Jehan.
Tags: Company journal, drama in schools, Professional Training and Development
Posted in Company journal, Drama and Schools, Professional Training and Development | No Comments »


